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The origins of a temple on this site date to prehistory. The great Greek Temple of Athena was built in the 5th century BCE. The temple was a Doric edifice with six columns on the short sides and 14 on the long sides.<br/><br/> The present cathedral was constructed by Saint Bishop Zosimo of Syracuse in the 7th century. The battered Doric columns of the original temple were incorporated in the walls of the current church. The building was converted into a mosque in 878, then converted back when Norman Roger I of Sicily retook the city in 1085. The roof of the nave is of Norman origin, as well as the mosaics in the apses.<br/><br/> As part of the increased building activity after the 1693 Sicily earthquake, the cathedral was rebuilt and the façade redesigned by architect Andrea Palma in 1725–1753.
The Basilica di Santa Maria Gloriosa dei Frari, usually just called the Frari, is a church located in the Campo dei Frari at the heart of the San Polo district of Venice, Italy.<br/><br/> In 1231, under Doge Jacopo Tiepolo, the city donated land at this site to establish a monastery and church belonging to the Franciscan Order of Friars Minor. This edifice proved too small and a three nave church was begun in 1250, and not completed until 1338. Work almost immediately began on its much larger replacement, the current church, which took over a century to build.
The Basilica di Santa Maria Gloriosa dei Frari, usually just called the Frari, is a church located in the Campo dei Frari at the heart of the San Polo district of Venice, Italy.<br/><br/> In 1231, under Doge Jacopo Tiepolo, the city donated land at this site to establish a monastery and church belonging to the Franciscan Order of Friars Minor. This edifice proved too small and a three nave church was begun in 1250, and not completed until 1338. Work almost immediately began on its much larger replacement, the current church, which took over a century to build.
The Cathedral of Saint Mary of the Assumption was originally designed and completed between 1215 and 1263 on the site of an earlier structure. It has the form of a Latin cross with a slightly projecting transept, a dome and a bell tower.<br/><br/> The dome rises from a hexagonal base with supporting columns. The lantern atop the dome was added by Gian Lorenzo Bernini. The nave is separated from the two aisles by semicircular arches. The exterior and interior are constructed of white and greenish-black marble in alternating stripes, with addition of red marble on the façade.
Niccolò di Pietro Gerini (c. 1340 – 1414) was an Italian painter of the late Gothic period, active mainly in his native Florence although he also carried out commissions in Pisa and Prato. He was not an innovative painter but relied on traditional compositions in which he placed his figures in a stiff and dramatic movement.
Istanbul's Hagia Sophia (Greek) or Ayasofya (Turkish) was originally constructed as a main Eastern Orthodox church and served in this role from 537 CE until the fall of Constantinople in 1453 (except between 1204 and 1261 when it was converted by the Fourth Crusaders to a Roman Catholic cathedral).<br/><br/> When the Ottoman Turks under Mehmed II conquered Constantinople, the Hagia Sophia was converted into a mosque and Christian relics and art were either removed or plastered over. It remained a mosque for almost 500 years, before being converted into a museum between 1931 and 1935.<br/><br/> Famous in particular for its massive dome, it is considered the epitome of Byzantine architecture and influenced the design of numerous mosques in what is now Istanbul.
Istanbul's Hagia Sophia (Greek) or Ayasofya (Turkish) was originally constructed as a main Eastern Orthodox church and served in this role from 537 CE until the fall of Constantinople in 1453 (except between 1204 and 1261 when it was converted by the Fourth Crusaders to a Roman Catholic cathedral).<br/><br/> When the Ottoman Turks under Mehmed II conquered Constantinople, the Hagia Sophia was converted into a mosque and Christian relics and art were either removed or plastered over. It remained a mosque for almost 500 years, before being converted into a museum between 1931 and 1935.<br/><br/> Famous in particular for its massive dome, it is considered the epitome of Byzantine architecture and influenced the design of numerous mosques in what is now Istanbul.
Originally built in 1916, the Holy Rosary Catholic Church was completely renovated in 2013.<br/><br/> Christianity, introduced to Sri Lanka by the Portuguese, is predominantly of the Roman Catholic variety and most visible along the west coast, especially around Negombo.
Istanbul's Hagia Sophia (Greek) or Ayasofya (Turkish) was originally constructed as a main Eastern Orthodox church and served in this role from 537 CE until the fall of Constantinople in 1453 (except between 1204 and 1261 when it was converted by the Fourth Crusaders to a Roman Catholic cathedral).<br/><br/> When the Ottoman Turks under Mehmed II conquered Constantinople, the Hagia Sophia was converted into a mosque and Christian relics and art were either removed or plastered over. It remained a mosque for almost 500 years, before being converted into a museum between 1931 and 1935.<br/><br/> Famous in particular for its massive dome, it is considered the epitome of Byzantine architecture and influenced the design of numerous mosques in what is now Istanbul.
Istanbul's Hagia Sophia (Greek) or Ayasofya (Turkish) was originally constructed as a main Eastern Orthodox church and served in this role from 537 CE until the fall of Constantinople in 1453 (except between 1204 and 1261 when it was converted by the Fourth Crusaders to a Roman Catholic cathedral).<br/><br/> When the Ottoman Turks under Mehmed II conquered Constantinople, the Hagia Sophia was converted into a mosque and Christian relics and art were either removed or plastered over. It remained a mosque for almost 500 years, before being converted into a museum between 1931 and 1935.<br/><br/> Famous in particular for its massive dome, it is considered the epitome of Byzantine architecture and influenced the design of numerous mosques in what is now Istanbul.
Istanbul's Hagia Sophia (Greek) or Ayasofya (Turkish) was originally constructed as a main Eastern Orthodox church and served in this role from 537 CE until the fall of Constantinople in 1453 (except between 1204 and 1261 when it was converted by the Fourth Crusaders to a Roman Catholic cathedral).<br/><br/> When the Ottoman Turks under Mehmed II conquered Constantinople, the Hagia Sophia was converted into a mosque and Christian relics and art were either removed or plastered over. It remained a mosque for almost 500 years, before being converted into a museum between 1931 and 1935.<br/><br/> Famous in particular for its massive dome, it is considered the epitome of Byzantine architecture and influenced the design of numerous mosques in what is now Istanbul.
Anthuenis, or Antoon Claeissens, Claessens, or Claeissins (c.1536 – 1613) was the son of Pieter Claes the elder and painted historical and allegorical subjects, and portraits.<br/><br/> He was a native of Bruges and became a pupil of Pieter Pourbus. He entered the Bruges Guild of Saint Luke in 1575, and became its dean in 1586, 1590, and 1601. His works, several of which are in the Hôtel-de-Ville and churches of Bruges, are distinguished by their fine colouring and finish. In the Hotel-de-Ville is a 'Grand Banquet' with many portraits of magistrates of the time, dated 1574. He died in 1613.<br/><br/> His son, Pieter Anthonie, was dean of the Guild of St. Luke at Bruges in 1607, and died in 1608
Hugo van der Goes (Ghent c. 1430/1440 – Oudergem 1482) was a Flemish painter. He was, along with Jan van Eyck, Rogier van der Weyden, Hans Memling and Dieric Bouts, one of the most important of the Early Netherlandish painters.
Albrecht Dürer (German: 21 May 1471 – 6 April 1528) was a German painter, engraver, printmaker, mathematician, and theorist from Nuremberg. His high-quality woodcuts (nowadays often called Meisterstiche or 'master prints') established his reputation and influence across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Northern Renaissance ever since.<br/><br/> His vast body of work includes altarpieces and religious works, numerous portraits and self-portraits, and copper engravings. The woodcuts, such as the Apocalypse series (1498), retain a more Gothic flavour than the rest of his work. His well-known prints include the Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours also mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium.<br/><br/> Dürer's introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, has secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatises, which involve principles of mathematics, perspective and ideal proportions
Leonardo di ser Piero da Vinci (April 15, 1452 – May 2, 1519) was an Italian Renaissance polymath: painter, sculptor, architect, musician, mathematician, engineer, inventor, anatomist, geologist, cartographer, botanist, and writer. His genius, perhaps more than that of any other figure, epitomized the Renaissance humanist ideal.<br/><br/> Leonardo has often been described as the archetype of the Renaissance Man, a man of unquenchable curiosity and feverishly inventive imagination. He is widely considered to be one of the greatest painters of all time and perhaps the most diversely talented person ever to have lived.
Saigon Notre-Dame Basilica, officially Basilica of Our Lady of The Immaculate Conception is a cathedral located in Ho Chi Minh City (Saigon). Established by French colonists, the cathedral was constructed between 1863 and 1880. It has two bell towers, reaching a height of 58 meters (190 feet).<br/><br/> Former Emperor Bảo Đại made Saigon the capital of the State of Vietnam in 1949 with himself as head of state. After the Việt Minh gained control of North Vietnam in 1954, it became common to refer to the Saigon government as 'South Vietnam'.<br/><br/> The government was renamed the Republic of Vietnam when Bảo Đại was deposed by his Prime Minister Ngo Dinh Diem in a fraudulent referendum in 1955. Saigon and Cholon, an adjacent city with many Sino-Vietnamese residents, were combined into an administrative unit called Đô Thành Sài Gòn (Capital City Saigon).
The Book of Kells (Irish: Leabhar Cheanannais) (Dublin, Trinity College Library, MS A. I. (58), sometimes known as the Book of Columba) is an illuminated manuscript Gospel book in Latin, containing the four Gospels of the New Testament together with various prefatory texts and tables. It was created by Celtic monks ca. 800 or slightly earlier. The text of the Gospels is largely drawn from the Vulgate, although it also includes several passages drawn from the earlier versions of the Bible known as the Vetus Latina. It is a masterwork of Western calligraphy and represents the pinnacle of Insular illumination. It is also widely regarded as Ireland's finest national treasure.<br/><br/> The illustrations and ornamentation of the Book of Kells surpass that of other Insular Gospel books in extravagance and complexity. The decoration combines traditional Christian iconography with the ornate swirling motifs typical of Insular art. Figures of humans, animals and mythical beasts, together with Celtic knots and interlacing patterns in vibrant colours, enliven the manuscript's pages. Many of these minor decorative elements are imbued with Christian symbolism and so further emphasise the themes of the major illustrations.<br/><br/> The manuscript today comprises 340 folios and, since 1953, has been bound in four volumes. The leaves are on high-quality calf vellum, and the unprecedentedly elaborate ornamentation that covers them includes ten full-page illustrations and text pages that are vibrant with decorated initials and interlinear miniatures and mark the furthest extension of the anti-classical and energetic qualities of Insular art. The Insular majuscule script of the text itself appears to be the work of at least three different scribes. The lettering is in iron gall ink, and the colours used were derived from a wide range of substances, many of which were imports from distant lands.<br/><br/> The manuscript takes its name from the Abbey of Kells that was its home for centuries. Today, it is on permanent display at the Trinity College Library, Dublin.
The ao dai (Vietnamese: áo dài) is a Vietnamese national costume, now most commonly for women. In its current form, it is a tight-fitting silk tunic worn over pantaloons. The word is pronounced ow-zye in the north and ow-yai in the south, and translates as 'long dress'. The name áo dài was originally applied to the dress worn at the court of the Nguyễn Lords at Huế in the 18th century. This outfit evolved into the áo ngũ thân, a five-paneled aristocratic gown worn in the 19th and early 20th centuries. Inspired by Paris fashions, Nguyễn Cát Tường and other artists associated with Hanoi University redesigned the ngũ thân as a modern dress in the 1920s and 1930s. The updated look was promoted by the artists and magazines of Tự Lực văn đoàn (Self-Reliant Literary Group) as a national costume for the modern era. In the 1950s, Saigon designers tightened the fit to produce the version worn by Vietnamese women today. The dress was extremely popular in South Vietnam in the 1960s and early 1970s, frowned upon as frivolous and borgeois in the North between 1952 and 1986, but is today increasingly popular nationwide, having become once again a symbol of Vietnamese nationalism and Vietnamese female beauty.
Pondicherry was the capital of the former French territories in India. Besides Pondi itself – acquired from a local ruler in 1674 – these included Chandernagore in Bengal (1690); Mahé in Kerala (1725); Yanam in Andhra Pradesh (1731); and Karaikal in Tamil Nadu (1739). Chandernagore was returned to India three years after independence, in 1951, and was absorbed into West Bengal. Returned to India in 1956, the remaining four territories were constituted as the Union Territory of Pondicherry in 1962.<br/><br/> Today Karaikal, Yanam and Mahé are all small seaside resort towns, known chiefly for their cheap beer made possible by Pondicherry's light alcohol taxes. Karaikal, on the Coromandel Coast 100 kilometres south of Pondicherry, is similar to rural Pondi – a prosperous, Tamil-speaking enclave renowned for the abundance of its rice harvests. Yanam, located on the coast of Andhra Pradesh more than 600 kilometres north of Madras, is a tiny, Telugu-speaking town on a branch of the Godavari River. Mahé, on the Malabar Coast of northern Kerala is a quaint, picturesque town, named for its founder, Count Mahé de La Bourdonnais.<br/><br/> In September 2006, the territory changed its official name from Pondicherry to the vernacular original, Puducherry, which means 'New village'.
The present St. Paul Cathedral was built in 1641. There had been a more modest wood and thatched chapel built on the same site in 1574, but it twice suffered the ravages of earthquakes, first in 1619 and then just a few years later in 1627.<br/><br/> The City of Vigan is the capital of the Province of Ilocos Sur and located on the western coast of the island of Luzon.<br/><br/> Vigan is the only surviving historic city in the Philippines that dates back to the 15th century Spanish colonial period. The town was also an important trading post in pre-colonial times with a community of Chinese traders from Fujian settled in the area.<br/><br/> Today it has been awarded UNESCO World Heritage Site status acknowledging that it is one of the few Hispanic towns left in the Philippines, and is well-known for its cobblestone streets, and a unique architecture that fuses Philippine and Oriental building designs and construction, with colonial European architecture.
The City of Vigan is the capital of the Province of Ilocos Sur and located on the western coast of the island of Luzon.<br/><br/> Vigan is the only surviving historic city in the Philippines that dates back to the 15th century Spanish colonial period. The town was also an important trading post in pre-colonial times with a community of Chinese traders from Fujian settled in the area.<br/><br/> Today it has been awarded UNESCO World Heritage Site status acknowledging that it is one of the few Hispanic towns left in the Philippines, and is well-known for its cobblestone streets, and a unique architecture that fuses Philippine and Oriental building designs and construction, with colonial European architecture.
Oriental carpets more than two centuries old have rarely survived and are rarely represented in Islamic Art since Sunni Islam (and to a lesser extent Shia) eschews representational art in favour of precisely the repetetive geometric symbols and arabesques found, for example, in oriental carpets.<br/><br/> This means that most examples of 17th century and earlier oriental carpets, mainly produced in Muslim lands, are only to be found in paintings from Christian lands where rich oriental carpets were associated with wealth, power and taste.<br/><br/> Such carpets featured as an important decorative feature in paintings from the 14th century onwards, leading to the dichotomy that there are more depictions of oriental carpets produced before the 17th century in European paintings than there are actual oriental carpets surviving from the same period.<br/><br/> Because of this European paintings have proved an invaluable source of reference for the study of the history of carpetmaking and carpets.